Friedberg provides sub-chapters with the perspectives of other thinkers between her main chapters, resulting in a historical foreshortening of the past through a contemporary lens. This is especially true of The Virtual Window Interactivewhich requires patience and experimentation in order to experience it fully. In her chapter on The FrameFriedberg points out that pictures and paintings were not always framed, and until between the 13 th -15 th century were predominantly site-specific and painted into the wall as frescoes. Although frames enabled the picture to be separated from the wall, they required the viewer to be immobilized in relation to the frame.
Review: Anne Friedberg’s “The Virtual Window”įriedberrg 13, Kelly rated it it was ok. In The Virtual Window: From Alberti to Microsoft (, MIT Press), (the late) Anne Friedberg traces the history of the relationship between the. Modernism, Cinema and Technology, The Emergence of Cinematic Time. Explorations in Film Theory, Close Up: Cinema And.
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